quinta-feira, 1 de dezembro de 2011

The Police Inside Out [2006] | DVDRip



A principios de los 80s, hubo un power-trío que cambió la escena del pop sin escupirle a la reina ni aburrir con virtuosismos: sólo con buenas canciones y una imagen irresistible. The Police tomó lo mejor del rock, el reggae y el pop y propuso un sonido nuevo y fresco. "Everyone Stares: The Police Inside Out" es un documental que relata la historia de esta banda desde adentro y en detalle. Es, además, el debut como director de su baterista y fundador Stewart Copeland, quien filmó el material, lo dirigió y produjo. Hizo de guionista, montajista y narrador. Esta entretenida película es un relato en primera persona sobre el ascenso desde la oscuridad de dudosos clubes periféricos hasta la superfama y giras mundiales. De paso, es una colección de astutos e hilarantes comentarios acerca de la cultura pop de fines de los 70s e inicios de los 80s. Montado a partir de más de 50 horas de película amateur en formato Super 8 filmada por el propio Copeland durante la intensa carrera del grupo (cinco álbums en seis años, y punto), la película ofrece una nueva perspectiva para imaginar cómo habrán sido los días de fama y locura de las giras, la personalidad siempre conflictiva del trío y cómo enfrentaron el comportamiento siempre esquizoide de los fans. El documental va acompañado por el famoso "Synchronicity Concert" presentado en Atlanta, Estados Unidos, en noviembre de 1983.
Las películas están alojadas en tres links que descargan un archivo WinRar cada uno, conteniendo el film y sus subtítulos correspondientes. En caso de algún inconveniente con las descargas por favor comentar para su pronta solución.

Links
CD1 [ Documental ]: http://www.megaupload.com/?d=LSDZULIC
CD2 [Concert|Part1]: http://www.megaupload.com/?d=ODVU26IG
CD2 [Concert|Part2]: http://www.megaupload.com/?d=WDJMTUSN

3 Days Of Peace & Music [40th Anniversary Edition][2009] | DVDRip



Woodstock ha sido el mayor festival de música y arte de la historia, se celebró en el poblado de Bethel, New York, entre el 15 y el 18 de agosto de 1969, congregó a unos 400.000 espectadores, 340.000 más de los que esperaba la organización, y se estima que 250.000 no pudieron llegar. Woodstock es el icono de una generación, los miles de jóvenes que asistieron hicieron realidad sus ideales de paz y amor libre, mostrando su rechazo al sistema. Los chicos llevaban melena y amuletos, las chicas faldas de colores. Durante el festival se vivieron intensas noches de sexo, drogas y rock and roll. Los asistentes fueron la confirmación de un movimiento que cambió una sociedad norteamericana hastiada de las guerras, que pregonaba la paz y el amor como forma de vida, un movimiento llamado de forma despectiva Hippie (que es una variante de hipster, "el que siempre quiere estar al paso de las últimas tendencias"). Los asistentes fueron los verdaderos exponentes del "Flower Power". Una tendencia que aún hoy es vivida por muchos jóvenes y adultos. El Festival congregó grandes artistas de la época y confirmó a algunos desconocidos que en poco tiempo se convirtieron en verdaderas estrellas, como es el caso de Joe Cocker y Santana. Los grandes conciertos del festival estuvieron protagonizados por The Who, Jimi Hendrix, Janis Joplin, Sly & The Family Stone y Blood, entre muchos más grupos y artistas. En el año 2009, y para celebrar los 40 años del evento, se reeditó en DVD el fantástico documental "Woodstock: 3 Days Of Peace & Music", dirigido por Michael Wadleigh y ganador del Oscar en su rubro, que rememora, con la tecnología contemporánea, los históricos tres días del Festival de Woodstock, la madre de todos los festivales. Esta versión incluye el film remasterizado (dividido en dos partes) y el "Making Of" del festival y del documental.
Las películas están alojadas en tres links que descargan un archivo WinRar cada uno, conteniendo el film y sus subtítulos correspondientes. En caso de algún inconveniente con las descargas por favor comentar para su pronta solución.

Links
CD1 [The Film|Part1]: http://www.megaupload.com/?d=N3ZY5ZCP
CD2 [The Film|Part2]: http://www.megaupload.com/?d=FM4A4200
CD3 [The Making Of]: http://www.megaupload.com/?d=WMQN70W1

Grateful Dead – Broadcasting Live (2005)

Grateful Dead – Broadcasting Live (2005)Video: NTSC, MPEG2 Video at 4.999 Kbps, 720 x 480 (1.333) at 29.970 fps | Audio: AC-3 2ch. at 448 Kbps, AC-3 6ch. at 448 Kbps, DTS 6ch. at 755 Kbps
Genre: Rock, Folk Rock | Label: Classic Rock Legends | Copy: Untouched | Runtime: 139 min | 2,84 + 4,19 Gb (2xDVD-5)


Over two and a half hours of the Grateful Dead broadcasting Live from New Years Eve 1987 into New Years Day 1988 Rock's longest, strangest trip, the Grateful Dead were the psychedelic era's most beloved musical ambassadors as well as its most enduring survivors, spreading their message of peace, love, and mind-expansion across the globe throughout the better part of three decades. The object of adoration for popular music's most fervent and celebrated fan following - the Deadheads, their numbers and devotion legendary in their own right - they were the ultimate cult band, creating a self-styled universe all their own; for the better part of their career orbiting well outside of the mainstream, the Dead became superstars solely on their own terms, tie-dyed pied pipers whose epic, free-form live shows were rites of passage for an extended family of listeners who knew no cultural boundaries.

The roots of the Grateful Dead lie with singer/songwriter Jerry Garcia, a longtime bluegrass enthusiast who began playing the guitar at age 15. Upon relocating to Palo Alto, CA, in 1960, he soon befriended Robert Hunter, whose lyrics later graced many of Garcia's most famous melodies; in time, he also came into contact with aspiring electronic music composer Phil Lesh. By 1962, Garcia was playing banjo in a variety of local folk and bluegrass outfits, two years later forming Mother McCree's Uptown Jug Champions with guitarist Bob Weir and keyboardist Ron "Pigpen" McKernan; in 1965, the group was renamed the Warlocks, their lineup now additionally including Lesh on bass as well as Bill Kreutzmann on drums.

The Warlocks made their electric debut that July; Ken Kesey soon tapped them to become the house band at his notorious Acid Tests, a series of now-legendary public LSD parties and multimedia "happenings" mounted prior to the drug's criminalization. As 1965 drew to its close, the Warlocks rechristened themselves the Grateful Dead, the name taken from a folk tale discovered in a dictionary by Garcia; bankrolled by chemist/LSD manufacturer Owsley Stanley, the band members soon moved into a communal house situated at 710 Ashbury Street in San Francisco, becoming a fixture on the local music scene and building a large fan base on the strength of their many free concerts. Signing to MGM, in 1966 the Dead also recorded their first demos; the sessions proved disastrous, and the label dropped the group a short time later.

As 1967 mutated into the Summer of Love, the Dead emerged as one of the top draws on the Bay Area music scene, honing an eclectic repertoire influenced by folk, country, and the blues while regularly appearing at top local venues including the Fillmore Auditorium, the Avalon Ballroom, and the Carousel. In March of 1967 the Dead issued their self-titled Warner Bros. debut LP, a disappointing effort which failed to recapture the cosmic sprawl of their live appearances; after performing at the Monterey Pop Festival, the group expanded to a six-piece with the addition of second drummer Mickey Hart. Their follow-up, 1968's Anthem of the Sun, fared better in documenting the free-form jam aesthetic of their concerts, but after completing 1969's Aoxomoxoa, their penchant for time-consuming studio experimentation left them over 100,000 dollars in debt to the label.

The Dead's response to the situation was to bow to the demands of fans and record their first live album, 1969's Live/Dead; highlighted by a rendition of Garcia's "Dark Star" clocking in at over 23 minutes, the LP succeeded where its studio predecessors failed in capturing the true essence of the group in all of their improvisational, psychedelicized glory. It was followed by a pair of classic 1970 studio efforts, Workingman's Dead and American Beauty; recorded in homage to the group's country and folk roots, the two albums remained the cornerstone of the Dead's live repertoire for years to follow, with its most popular songs - "Uncle John's Band," "Casey Jones," "Sugar Magnolia," and "Truckin'" among them - becoming major favorites on FM radio.

Despite increasing radio airplay and respectable album sales, the Dead remained first and foremost a live act, and as their popularity grew across the world they expanded their touring schedule, taking to the road for much of each year. As more and more of their psychedelic-era contemporaries ceased to exist, the group continued attracting greater numbers of fans to their shows, many of them following the Dead across the country; dubbed "Deadheads," these fans became notorious for their adherence to tie-dyed fashions and excessive drug use, their traveling circus ultimately becoming as much the focal point of concert dates as the music itself. Shows were also extensively bootlegged, and not surprisingly the Dead closed out their Warners contract with back-to-back concert LPs - a 1971 eponymous effort and 1972's Europe '72.

The latter release was the final Dead album to feature Pigpen McKernan, a heavy drinker who died of liver failure on March 8, 1973; his replacement was keyboardist Keith Godchaux, who brought with him wife Donna Jean to sing backing vocals. 1973's Wake of the Flood was the first release on the new Grateful Dead Records imprint; around the time of its follow-up, 1974's Grateful Dead From the Mars Hotel, the group took a hiatus from the road to allow its members the opportunity to pursue solo projects. After returning to the live arena with a 1976 tour, the Dead signed to Arista to release Terrapin Station, the first in a series of misguided studio efforts that culminated in 1980's Go to Heaven, widely considered the weakest record in the group's catalog - so weak, in fact, that they did not re-enter the studio for another seven years.

The early '80s was a time of considerable upheaval for the Dead - the Godchauxs had been dismissed from the lineup in 1979, with Keith dying in a car crash on July 23, 1980. (His replacement was keyboardist Brent Mydland.) After a pair of 1981 live LPs, Reckoning and Dead Set, the group released no new recordings until 1987, focusing instead on their touring schedule - despite the dearth of new releases, the Dead continued selling out live dates, now playing to audiences which spanned generations. As much a cottage industry as a band, they traveled not only with an enormous road crew but also dozens of friends and family members, many of them Dead staffers complete with health insurance and other benefits.

Artists: Grateful Dead- Jerry Garcia: Lead Guitar, Vocals
- Bob Weir: Rhythm Guitar, Vocals
- Phil Lesh: Bass, Vocals
- Bill Kreutzmann: Drums
- Mickey Hart: Drums, Percussions
- Donna Jean Godchaux: Vocals
- Keith Godchaux: Keyboards
- Brent Mydland: Keyboards, Vocals

Tracklist:
Disc 1 -

01. Intro
02. Bertha
03. Cold Rain and Snow
04. Little Red Rooster
05. When Push Comes to Shove
06. When I Paint My Masterpiece
07. Bird Song
08. The Music Never Stopped

Disc 2 -
01. Hell In A Bucket/Happy New Year
02. Uncle Johns Band
03. Lady With A Fan
04. Terrapin Station
05. Drums And....
06. ....Space
07. The Other One
08. Wharf Rat
09. Throwing Stones
10. Not Fade Away
11. Knockin On Heavens Door

Features:
- Direct Scene Access
- Interactive Menu

Download:
(8% restore - links are interchangeable)

Cover not included / No passwords

(410 MB - parts)


The Who - Quadrophenia (1973) [Super Deluxe Edition '2011 - 4x SHM-CD, Japan]

The Who - Quadrophenia (1973) [Super Deluxe Edition '2011 - 4x SHM-CD, Japan]4x EAC-Rip | FLAC with CUEs & LOGs - 1,21 GB | Full Scans - 4,2 GB | MP3 CBR 320 Kbps - 425 MB
Classic Rock | Running Time - 185:46 minutes | Label: Universal Music Japan | Cat. # UICY-91798 (UICX-1450~53)
- a stunning "Director's cut edition" of the landmark 1973 album - Produced, authorised and overseen by Pete Townshend

Quadrophenia is the sixth studio album by the English rock band The Who, released in 1973. Quadrophenia is a double album, and the group's second rock opera. Recently the album was remastered and re-released again as Super Deluxe Box Set edition. This box set gives a unique insight into the creation of this landmark album and features a remaster of the original double album, Pete Townshend's previously unheard demos including songs that didn't make it onto the original album, a deluxe hard-back book, previously unseen personal notes, photographs, memorabilia and other exclusive material.
Pete Townshend revisited the rock opera concept with another double-album opus, this time built around the story of a young mod's struggle to come of age in the mid-'60s. If anything, this was a more ambitious project than Tommy, given added weight by the fact that the Who weren't devising some fantasy but were re-examining the roots of their own birth in mod culture. In the end, there may have been too much weight, as Townshend tried to combine the story of a mixed-up mod named Jimmy with the examination of a four-way split personality (hence the title Quadrophenia), in turn meant to reflect the four conflicting personas at work within the Who itself. The concept might have ultimately been too obscure and confusing for a mass audience. But there's plenty of great music anyway, especially on "The Real Me," "The Punk Meets the Godfather," "I'm One," "Bell Boy," and "Love, Reign o'er Me." Some of Townshend's most direct, heartfelt writing is contained here, and production-wise it's a tour de force, with some of the most imaginative use of synthesizers on a rock record. Various members of the band griped endlessly about flaws in the mix, but really these will bug very few listeners, who in general will find this to be one of the Who's most powerful statements.

Disc 1 - Original album Remastered:
01. I Am The Sea
02. The Real Me
03. Quadrophenia
04. Cut My Hair
05. The Punk And The Godfather
06. I'm One
07. The Dirty Jobs
08. Helpless Dancer
09. Is It In My Head
10. I've Had Enough


Disc 2 - Original album Remastered:
01. 5-15
02. Sea And Sand
03. Drowned
04. Bell Boy
05. Doctor Jimmy
06. The Rock
07. Love, Reign O'er Me

Disc 3 - Quadrophenia Demos:
01. The Real Me
02. Quadrophenia - Four Overtures
03. Cut My Hair
04. Fill No. 1 - Get Out And Stay Out
05. Quadrophenic - Four Faces
06. We Close Tonight
07. You Came Back
08. Get Inside
09. Joker James
10. Punk
11. I'm One
12. Dirty Jobs
13. Helpless Dancer

Disc 4 - Quadrophenia Demos:
01. Is It In My Head
02. Anymore
03. I've Had Enough
04. Fill No. 2
05. Wizardry
06. Sea And Sand
07. Drowned
08. Is It Me
09. Bell Boy
10. Doctor Jimmy
11. Finale - The Rock
12. Love Reign O'er Me

All songs written by Pete Townshend. Produced by Pete Townshend.
Digitally Remastered in 2011 by Jon Astley at Close To The Edge.
All Demos recorded on 8-track tape at Pete Townshend's home studio between March 1970 and March 1973.
Unless otherwise stated (see inside the booklet), all instruments played by Pete Townshend.

- Roger Daltrey: lead vocals
- John Entwistle: bass guitar, horns, vocal solo on "Is it in my Head", backing vocals
- Keith Moon: drums, percussion, vocals on "Bell Boy"
- Pete Townshend: guitars, synthesisers, piano, banjo, sound effects, vocals

Dynamic Range(s): 9 / 9 / 9 / 9.


Many thanks to ALLexxess!!


Download 4CD Box from folders:


FILESONIC - + - FILEJUNGLE - + - FILESERVE - + - FILEPOST

The archives are interchangeable.
Where "LOS" is lossless, "MP3" is MP3's, and "Scan" is box, disc's and hardcover book PNG scans.
JPEG converted scans (991 MB) also available.

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The links to DVD-Audio - from ALLexxess (ORG ISO + FLAC 2.0 + FLAC 5.1)

http://www.filesonic.com/file/4038628164/The_Who_Quadrophenia.txt