The Seeds - Japanese Cardboard Sleeve Reissue (1966-1968) [5 Remastered Albums]

The Seeds - Japanese Cardboard Sleeve Reissue (1966-1968) [5 Remastered Albums]
EAC Rips | 5x FLAC Images with CUEs and LOGs > 1,4 GB | Full PNG Scans > 208 MB | MP3 CBR 320 Kbps > 472 MB
Garage Rock / Psychedelic Acid Rock | TT > 203:44 minutes | Label: Hayabusa Landings, Japan | Catalogue # HYCA-2032~2036

Cardboard sleeve reissue from The Seeds. This series featuring the albums "The Seeds", "A Web Of Sound", "Future", "Raw & Alive In Concert At Merlin's Music Box", and Sky Saxon Blues Band's "A Full Spoon Of Seedy Blues". All discs were digitally remastered. Japanese original release.

The Seeds were a 1960s rock and roll band based in Los Angeles, California, United States, whose raw and abrasive energy, and simple, repetitive lyrics came to exemplify the garage rock style. The band was active from 1965 to 1972. The group reunited in 1989, split again in 1993 and reunited once more in 2003. The band’s future is in question after the June 2009 death of its only constant member, singer Sky Saxon.

Best known for their rock & roll standard "Pushin' Too Hard," the Seeds combined the raw, Stonesy appeal of garage rock with a fondness for ragged, trashy psychedelia. And though they never quite matched the commercial peak of their first two singles, "Pushin' Too Hard" and "Can't Seem to Make You Mine," the band continued to record for the remainder of the '60s, eventually delving deep into post-Sgt. Pepper's psychedelia and art rock. None of their new musical directions resulted in another hit single, and the group disbanded at the turn of the decade.

Sky Saxon (born Richard Marsh; vocals) and guitarist Jan Savage formed the Seeds with keyboardist Daryl Hooper and drummer Rick Andridge in Los Angles in 1965. By the end of 1966, they had secured a contract with GNP Crescendo, releasing "Pushin' Too Hard" as their first single. The song climbed into the Top 40 early in 1967, and the group immediately released two sound-alike singles, "Mr. Farmer" and "Can't Seem to Make You Mine," in an attempt to replicate their success; the latter came the closest to being a hit, just missing the Top 40. While their singles were garage punk, the Seeds attempted to branch out into improvisational blues-rock and psychedelia on their first two albums, The Seeds (1966) and Web of Sound (1966). With their third album, Future (1967), the band attempted a psychedelic concept album in the vein of Sgt. Pepper's. While the record reached the Top 100 and spawned the minor hit "A Thousand Shadows," it didn't become a hit. Two other albums -- Raw & Alive: The Seeds in Concert at Merlin's Music Box (1968) and A Full Spoon of Seedy Blues (1969), which was credited to the Sky Saxon Blues Band -- were released at the end of the decade, but both were ignored. The Seeds broke up shortly afterward.

-- allmusic.com biography
Produced for Reissue by Seiichiro Murayama.
Mastering Engineer: Soichiro Nakamura at Peace Music.

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